CFP: “Music and Nature: Between Scientific Reason
and Divine Power”
The Stony Brook Music Department announces its Fourth Annual Graduate Music Symposium, to be held February 14-15, 2014. The symposium will feature a keynote address by Holly Watkins (Eastman School of Music), as well as the performance of the Stony Brook Symphony Orchestra presenting works by Richard Strauss, Hindemith and Bartòk.
The Stony Brook Music Department announces its Fourth Annual Graduate Music Symposium, to be held February 14-15, 2014. The symposium will feature a keynote address by Holly Watkins (Eastman School of Music), as well as the performance of the Stony Brook Symphony Orchestra presenting works by Richard Strauss, Hindemith and Bartòk.
Music has always involved nature by imitating its sounds, referring to it in
texts set
by composers,
and
more recently by
means of recording technology. As environmental
awareness has become more widespread, an increasing number of musicological
works have engaged with ecological questions.
Since Ancient Greece, thought about
music has considered its relationships to nature, as both philosophy and
physics were concerned with the nature of musical sound. The concept of nature itself has been
constantly changing throughout history and Aristotle’s idea that understanding
of nature involves understanding of change is still valid today. The broad conception
of nature includes the essential
quality of things, the inherent force that directs either the world or humans,
and the material world itself.
We welcome the
Symposium participants to explore these various conceptions of nature and how
they relate to historical,
social, philosophical and scientific
manifestations in music, and also invite composers to share of their works
that involve sounds of nature. The topics may include, but are not limited to:
·
musical depictions of nature and supernatural;
·
natural beauty versus artificial artworks;
·
acoustics and the nature of musical sound;
·
naturalistic music theories;
·
the "natural genius" or cults of genius;
·
performing in a natural way;
·
gender, sexuality, and revealing human nature in music;
·
nature versus industry at the age of modernity;
·
sounds of nature in electronic works;
·
sound studies in the era of changing technology;
·
acoustemology, local musical ecology and soundscape;
·
political
ecology in musical works;
·
bodily
engagement in music experience.
We invite
submissions of 250-word abstracts for 20-minute papers, 30-minute composer
presentations and 40-minute lecture recitals. Proposals for composer talks
should include a description of the proposed work and a short biography.
Please submit
proposals to musicgradsymposium@stonybrook.edu by Friday, December 6,
2013.
Stony Brook is accessible via JFK and MacArthur Airport, the Long Island Rail
Road, and the Bridgeport/Port Jefferson ferry. Housing with Stony Brook
graduate students may be available for presenters staying overnight.
For more information about SBSO concert program, please visit http://www.stonybrook.edu/commcms/music/performances/ensembles/sbso.shtml
For more information about SBSO concert program, please visit http://www.stonybrook.edu/commcms/music/performances/ensembles/sbso.shtml
